The older I get the less I care about what others think about me and about what I look like.  We are all made in the image of God.  Not that we have a body like God because God is Spirit but we have certain attributes of God and they are not about what we look like but about what we think about.  God has declared that He made us most wonderfully (Psalm 139:14) and besides, “Charm is deceitful, and beauty is vain, but a woman who fears the Lord is to be praised” (Prov 31:30).  It is true that “bodily training is of some value, godliness is of value in every way, as it holds promise for the present life and also for the life to come” (1 Tim 4:8).
Our mission is simple: Art and Christianity no longer resonate as an inherent, magnificent pairing. Actually it is a feeling that goes both ways: most Christians no longer see Art as being important or even as a relevant way of promoting the faith; and non believers don’t value Christianity as having been at the forefront of the arts throughout the centuries, responsible for creating some of the most magnificent artworks out there. Our offering is simple: one newsletter a day where we simply send you the Gospel reading of the day, alongside a work of art that we believe is poignant, reflective and appropriate to that reading. We offer a short reflection on the artwork and the reading. We simply give you the tools for you to meditate on the daily Gospel alongside a work of art. We are an apostolate within the Roman Catholic Church, based in London. Bible Verse Image
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Christian Images
While many white musicians gravitated toward country, folk, and old-timey music to express their spirituality outside of traditional Christian hymns, Black Gospel music drew heavily upon the traditional spirituals that had been passed down from the days of slavery, picking up its more driving rhythmic emphasis from blues and early jazz. Composer and singer Thomas A. Dorsey crystallized the style in 1932 with his epochal "Take My Hand, Precious Lord," and went on to compose a great many songs that later became standards. When performed in the churches, the music was traditionally sung by a choir, with individual soloists sometimes taking the spotlight; this often happened in a form known as "call and response," in which either the choir or the soloist would repeat and/or answer the lyric which had just been sung by the other, with the soloist improvising embellishments of the melody for greater emphasis. As the music developed, these soloists became more and more virtuosic, performing with wild emotion (and, in the South, physicality) in order to properly express the spiritual ecstasy the music was meant to evoke. The music was quite egalitarian in terms of gender, as both male and female performers -- Brother Joe May, Rev. James Cleveland, Mahalia Jackson, the Clara Ward Singers, etc. -- gained wide renown among both black and white audiences. The small-group format was also prevalent, with major figures including the Five Blind Boys of Mississippi, the Soul Stirrers, the Swan Silvertones, and the Dixie Hummingbirds; in general, these groups placed a greater premium on smooth vocal harmonies, although some performances could approach the raucous energy (if not quite the huge sound) of a choir-with-soloist group. As the years progressed, black gospel and black popular music influenced and borrowed from one another, reflecting the gradual change of emphasis toward R&B; black gospel also had an enormous impact on the development of soul music, which directed gospel's spiritual intensity into more secular concerns, and included a great many performers whose musical skills were developed in the church. As a recognizable style unto itself, black gospel music largely ceased to develop around the 1970s; progressing racial attitudes had helped black popular music reach wider audiences (and become more lucrative) than ever before, and tastes had turned towards the earthy hedonism of funk and the highly arranged, sophisticated Philly soul sound. The former wasn't quite appropriate for worship, and it wasn't all that practical to duplicate the latter in church services. However, the traditional black gospel sound survived intact and was eventually augmented by contemporary gospel (an '80s/'90s variation strongly influenced by latter-day urban R&B); plus, singers like Whitney Houston continued to develop within its ranks. Bible Verse Images
Happy 75th Birthday to Sherry Lansing, who was named the president of 20th Century Fox in 1980 and became the first woman to head a Hollywood movie studio. A former math teacher, model, and actress, she was dissatisfied with her own acting skills, so decided to learn about the film industry. She started her own production company that created the box-office smash Fatal Attraction in 1987, with Michael Douglas and Glenn Close, for which Lansing, as producer, received an Academy Award nomination for Best Picture. She retired from Hollywood in 2004 as CEO of Paramount Pictures, and formed The Sherry Lansing Foundation which is dedicated to raising awareness and funds for cancer research. (1944)
And when he had taken the scroll, the four living creatures and the twenty-four elders fell down before the Lamb, each holding a harp, and golden bowls full of incense, which are the prayers of the saints. And they sang a new song, saying, “Worthy are you to take the scroll and to open its seals, for you were slain, and by your blood you ransomed people for God from every tribe and language and people and nation, and you have made them a kingdom and priests to our God, and they shall reign on the earth.” Then I looked, and I heard around the throne and the living creatures and the elders the voice of many angels, numbering myriads of myriads and thousands of thousands, saying with a loud voice, “Worthy is the Lamb who was slain, to receive power and wealth and wisdom and might and honor and glory and blessing!” ... Bible Verse Image
Great quality canvas gallery wrapped on real wood stretcher bars. The bars are deep and the image goes all the way around the edges for a complete and professional look. Great artwork that would perfect for any room in your home or office. Beautiful colors that is printed on high quality canvas with 12 color inkjet printer so every detail is captured. Bible Verse Images
Start your day with a positive pep talk when you hang this inspirational textual art print in any room. Made from wood, this unframed piece showcases a mix of motivational messages in various fonts up against a plank-like background with distressed details for farmhouse flair. Warm brown, gray, pink, and yellow hues dot this design for a subdued splash of color. With D-ring hangers on the back, this artful accent is ready to mount as soon as it arrives. Bible Verse Images

When Samuel was seeking who would be the king of Israel, He had all of Jesse’s sons pass before him and time after time, Samuel thought that surely one of these young men would be the next king.  Some were tall and muscular but that was not God’s standard.  Jesse didn’t call David who was what we might call the “runt of the litter” but God said that He looks not on the outward appearance but what is inside.  He doesn’t have regard for what a person’s looks are like but He looks at the heart because the most important attributes of a person are never what we see but the things we don’t see and what we cannot see, God can.  That’s all that really matters. Biblical Verses Image
What spiritual and religious wall art will go best with my current design theme? The design is a matter of personal preference and finding the artwork that speaks to how you feel as well as your own beliefs. You can look for various wall art pieces that fit in with the color scheme that you have in the space, or you can add a special touch to brighten up any given wall in your living space. Bible Verse Image
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